Dance the Night Away
Bronspiegel Auditorium, New Bedford High School
Yaniv Dinur, conductor
Newport Contemporary Ballet
Mathilde Wantenaar: Prélude à une nuit américaine
George Gershwin: An American In Paris
Leonard Bernstein: Symphonic Dances from West Side Story
Maurice Ravel: Daphnis et Chloé, Suite No. 2
Whether it’s in the kitchen, at a wedding, or at a club, dancing is something we all do. Some of us took dance lessons as a child, some of us got up our nerve at a school dance, and some of us just can’t help moving when we feel the beat.
We hope you won’t be shocked to learn that classical music composers are no different than the rest of us. They feel that beat too, and they love to create motion and energy with their music. In this program, we dive into the power music has to make us want to move and express ourselves in motion. Each piece is inspired by dance and probably the best way to prepare for the concert is to watch Gene Kelly dancing in An American in Paris and watching the Sharks and the Jets dance it out in West Side Story.
The extraordinary Newport Contemporary Ballet will join us in the final piece of the concert. They will glide across the stage and around the auditorium to Ravel’s musical love story, Daphnis et Chloé. Let the motion in the music and the motion in the dance soothe you and inspire you.
PRE-CONCERT ACTIVITIES
Arrive early for pre-concert fun! From 6:15 – 6:45 PM in the lobby, the New Bedford Youth Ballet will perform an excerpt from The Sleeping Beauty, a piece choreographed by Pamela Mateus entitled Beauty, and Maria the Poet, a piece choreographed by the students under the direction of Pamela Mateus.
From 6:30 – 7:00 PM, join Yaniv in the auditorium for his pre-concert talk to explore the music of the evening. Newport Contemporary Ballet Executive Artistic Director Danielle Genest will join him at 6:45.
FREE OPEN REHEARSAL
Friday, October 25, 4 – 6:30 PM
Bronspiegel Auditorium
Seating is general admission, and no tickets or RSVP are required. The rehearsal pieces will be Ravel, Bernstein, and Gershwin. A 20-minute break usually occurs between 5 and 5:30. Come and go as you please! To prevent disrupting the rehearsal process, we kindly ask that applause be reserved for the end of the session.